Savitri Study Class 24-11 “All Contraries are Aspects of the One Truth”, pp. 656-658 (video)

Savitri Study Class with Alok Pandey, Book 10 Canto 4.


Savitri now starts revealing one key after another that would reconcile the opposite poles of Existence. She reveals the nature of the One who is everywhere and in all things. This is a great profound wisdom for Death to learn, the first key to the reconciliation of opposites.

The Woman answered to the mighty Shade,
And as she spoke, mortality disappeared;
Her Goddess self grew visible in her eyes,
Light came, a dream of heaven, into her face.

“O Death, thou too art God and yet not He,
But only his own black shadow on his path
As leaving the Night he takes the upward Way
And drags with him its clinging inconscient Force.

Of God unconscious thou art the dark head,
Of his Ignorance thou art the impenitent sign,
Of its vast tenebrous womb the natural child,
On his immortality the sinister bar.

All contraries are aspects of God’s face.
The Many are the innumerable One,
The One carries the multitude in his breast;
He is the Impersonal, inscrutable, sole,
He is the one infinite Person seeing his world;
The Silence bears the Eternal’s great dumb seal,
His light inspires the eternal Word;
He is the Immobile’s deep and deathless hush,
Its white and signless blank negating calm,
Yet stands the creator Self, the almighty Lord
And watches his will done by the forms of Gods
And the desire that goads half-conscious man
And the reluctant and unseeing Night.

These wide divine extremes, these inverse powers
Are the right and left side of the body of God;
Existence balanced twixt two mighty arms
Confronts the mind with unsolved abysms of Thought.
Darkness below, a fathomless Light above,
In Light are joined, but sundered by severing Mind
Stand face to face, opposite, inseparable,
Two contraries needed for his great World-task,
Two poles whose currents wake the immense World-Force.

In the stupendous secrecy of his Self,
Above the world brooding with equal wings,
He is both in one, beginningless, without end:
Transcending both, he enters the Absolute.

His being is a mystery beyond mind,
His ways bewilder mortal ignorance;
The finite in its little sections parked,
Amazed, credits not God’s audacity
Who dares to be the unimagined All
And see and act as might one Infinite.

Against human reason this is his offence,
Being known to be for ever unknowable,
To be all and yet transcend the mystic whole,
Absolute, to lodge in a relative world of Time,
Eternal and all-knowing, to suffer birth,
Omnipotent, to sport with Chance and Fate,
Spirit, yet to be Matter and the Void,
Illimitable, beyond form or name,
To dwell within a body, one and supreme
To be animal and human and divine:

A still deep sea, he laughs in rolling waves;
Universal, he is all,—transcendent, none.

To man’s righteousness this is his cosmic crime,
Almighty beyond good and evil to dwell
Leaving the good to their fate in a wicked world
And evil to reign in this enormous scene.

All opposition seems and strife and chance,
An aimless labour with but scanty sense,
To eyes that see a part and miss the whole;
The surface men scan, the depths refuse their search:
A hybrid mystery challenges the view,
Or a discouraging sordid miracle.

Yet in the exact Inconscient’s stark conceit,
In the casual error of the world’s ignorance
A plan, a hidden Intelligence is glimpsed.

There is a purpose in each stumble and fall;
Nature’s most careless lolling is a pose
Preparing some forward step, some deep result.

Ingenious notes plugged into a motived score,
These million discords dot the harmonious theme
Of the evolution’s huge orchestral dance.

A Truth supreme has forced the world to be;
It has wrapped itself in Matter as in a shroud,
A shroud of Death, a shroud of Ignorance.
It compelled the suns to burn through silent Space,
Flame-signs of its uncomprehended Thought
In a wide brooding ether’s formless muse:
It made of Knowledge a veiled and struggling light,
Of Being a substance nescient, dense and dumb,
Of Bliss the beauty of an insentient world.

[Breaks are added to emphasize separate movements]

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