Sri Aurobindo

Letters on Poetry and Art

SABCL - Volume 27

Part 1. Poetry and its Creation
Section 3. Poetic Technique
Substance, Style, Diction

Simplicity and Condensation [2]

Too violent condensations of language or too compressed thoughts always create a sense either of obscurity or, if not that, then of effort and artifice, even if a powerful and inspired artifice. It is why Yeats finds your sonnets stiff and laboured, I suppose. Yet very great poets and writers have used them, so great a poet as Aeschylus or so great a prose stylist as Tacitus. Then there are the famous “knots” in the Mahabharata, the recurrence of lines so compressed in thought and speech (although the normal style of the poem is of a crystal clearness,) that even the divine scribe Ganesha, lord of wisdom and learning who wrote the poem to Vyasa’s dictation, had to stop and cudgel his brains for minutes to find out their significance,— thus giving the poet a chance to breathe and compose his lines. For the condition laid down was that the inspiration must be continuous and Ganesha would not even once have to pause for want of lines to write! I think one can say that these condensations are justified when they say something with more power and depth and full, if sometimes recondite, significance than an easier speech would give, but to make it a constant element of the language (without a constant justification of that kind) would turn it into a mannerism or artifice.

1 October 1932