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At the Feet of The Mother

Part One. The Divine Mother as the Great Creatrix (1-03)

The Incarnate Divine Mother assuming a human form. (1-03)

The Purpose of Her embodiment

Even her humanity was half divine:
Her spirit opened to the Spirit in all,
Her nature felt all Nature as its own.
Apart, living within, all lives she bore;
Aloof, she carried in herself the world:
Her dread was one with the great cosmic dread,
Her strength was founded on the cosmic mights;
The universal Mother’s love was hers.
Against the evil at life’s afflicted roots,
Her own calamity its private sign,
Of her pangs she made a mystic poignant sword.
A solitary mind, a world-wide heart,
To the lone Immortal’s unshared work she rose.
[Savitri: 8 – 9]

The fixity of the cosmic sequences
Fastened with hidden inevitable links
She must disrupt, dislodge by her soul’s force
Her past, a block on the Immortal’s road,
Make a rased ground and shape anew her fate.
A colloquy of the original Gods
Meeting upon the borders of the unknown,
Her soul’s debate with embodied Nothingness
Must be wrestled out on a dangerous dim background:
Her being must confront its formless Cause,
Against the universe weigh its single self.
On the bare peak where Self is alone with Nought
And life has no sense and love no place to stand,
She must plead her case upon extinction’s verge,
In the world’s death-cave uphold life’s helpless claim
And vindicate her right to be and love.
Altered must be Nature’s harsh economy;
Acquittance she must win from her past’s bond,
An old account of suffering exhaust,
Strike out from Time the soul’s long compound debt
And the heavy servitudes of the Karmic Gods,
The slow revenge of unforgiving Law
And the deep need of universal pain
And hard sacrifice and tragic consequence.
Out of a timeless barrier she must break,
Penetrate with her thinking depths the Void’s monstrous hush,
Look into the lonely eyes of immortal Death
And with her nude spirit measure the Infinite’s night.
[Savitri: 12 – 13]

Alone amid the many faces loved,
Aware among unknowing happy hearts,
Her armoured spirit kept watch upon the hours
Listening for a foreseen tremendous step
In the closed beauty of the inhuman wilds.
A combatant in silent dreadful lists,
The world unknowing, for the world she stood:
No helper had she save the Strength within;
There was no witness of terrestrial eyes;
The Gods above and Nature sole below
Were the spectators of that mighty strife.
Around her were the austere sky-pointing hills,
And the green murmurous broad deep-thoughted woods
Muttered incessantly their muffled spell.
A dense magnificent coloured self-wrapped life
Draped in the leaves’ vivid emerald monotone
And set with chequered sunbeams and blithe flowers
Immured her destiny’s secluded scene.
There had she grown to the stature of her spirit:
The genius of titanic silences
Steeping her soul in its wide loneliness
Had shown to her her self’s bare reality
And mated her with her environment.
Its solitude greatened her human hours
With a background of the eternal and unique.
A force of spare direct necessity
Reduced the heavy framework of man’s days
And his overburdening mass of outward needs
To a first thin strip of simple animal wants,
And the mighty wildness of the primitive earth
And the brooding multitude of patient trees
And the musing sapphire leisure of the sky
And the solemn weight of the slowly-passing months
Had left in her deep room for thought and God.
There was her drama’s radiant prologue lived.
A spot for the eternal’s tread on earth
Set in the cloistral yearning of the woods
And watched by the aspiration of the peaks
Appeared through an aureate opening in Time,
Where stillness listening felt the unspoken word
And the hours forgot to pass towards grief and change.
[Savitri: 13 – 14]

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At best they invite some gods and beings of the vital world where much falsehood is mixed with fragments of truth, at worst they invoke certain dangerous forces in the atmosphere.