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At the Feet of The Mother

Glimpse of the All-Negating Void Supreme, pp. 545-546 (SH 275)

Savitri Class in Hindi with Alok Pandey
Savitri Book Seven: The Book of Yoga,
Canto Six: Nirvana and the Discovery of the All-Negating Absolute

Silencing and stilling the mind and the heart, quieting her entire being, Savitri experiences the all-negating Void Supreme in which there is no room for name and form. It is the mystic Nihil that cancels self and world. In this state all appears as illusory, as if shadowlike figures animated for a brief passing show. It is this state that is being vividly described by Savitri


In that absolute stillness bare and formidable
There was glimpsed an all-negating Void Supreme
That claimed its mystic Nihil’s sovereign right
To cancel Nature and deny the soul.

Even the nude sense of self grew pale and thin:
Impersonal, signless, featureless, void of forms
A blank pure consciousness had replaced the mind.

Her spirit seemed the substance of a name,
The world a pictured symbol drawn on self,
A dream of images, a dream of sounds
Built up the semblance of a universe
Or lent to spirit the appearance of a world.

This was self-seeing; in that intolerant hush
No notion and no concept could take shape,
There was no sense to frame the figure of things,
A sheer self-sight was there, no thought arose.
Emotion slept deep down in the still heart
Or lay buried in a cemetery of peace:
All feelings seemed quiescent, calm or dead,
As if the heart-strings rent could work no more
And joy and grief could never rise again.
The heart beat on with an unconscious rhythm
But no response came from it and no cry.

Vain was the provocation of events;
Nothing within answered an outside touch,
No nerve was stirred and no reaction rose.
Yet still her body saw and moved and spoke;
It understood without the aid of thought,
It said whatever needed to be said,
It did whatever needed to be done.

There was no person there behind the act,
No mind that chose or passed the fitting word:
All wrought like an unerring apt machine.
As if continuing old habitual turns,
And pushed by an old unexhausted force
The engine did the work for which it was made:
Her consciousness looked on and took no part;
All it upheld, in nothing had a share.
There was no strong initiator will;
An incoherence crossing a firm void
Slipped into an order of related chance.

A pure perception was the only power
That stood behind her action and her sight.
If that retired, all objects would be extinct,
Her private universe would cease to be,
The house she had built with bricks of thought and sense
In the beginning after the birth of Space.

This seeing was identical with the seen;
It knew without knowledge all that could be known,
It saw impartially the world go by,
But in the same supine unmoving glance
Saw too its abysmal unreality.

It watched the figure of the cosmic game,
But the thought and inner life in forms seemed dead,
Abolished by her own collapse of thought:
A hollow physical shell persisted still.
All seemed a brilliant shadow of itself,
A cosmic film of scenes and images:
The enduring mass and outline of the hills
Was a design sketched on a silent mind
And held to a tremulous false solidity
By constant beats of visionary sight.

The forest with its emerald multitudes
Clothed with its show of hues vague empty Space,
A painting’s colours hiding a surface void
That flickered upon dissolution’s edge;
The blue heavens, an illusion of the eyes,
Roofed in the mind’s illusion of a world.

[Savitri: 545 – 546]


(line breaks added to emphasize separate movements)

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When I ask you to be plastic in relation to the Divine, I mean not to resist the Divine with the rigidity of preconceived ideas and fixed principles.