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At the Feet of The Mother

Voice of the Night, pp. 533-536 (SH 268)

Savitri Class in Hindi with Alok Pandey
Savitri Book Seven: The Book of Yoga,
Canto Six: Nirvana and the Discovery of the All-Negating Absolute

Even as Savitri sits in a felicitous state having discovered her secret soul, she hears the voice of Night surging from some hidden abyss. It tries to invade her with doubt and fear and the sense of illusion. By doing so the ‘voice of darkness’ tries to dissuade her from the greater work she is here to do. It paints a dismal picture of life and creation thereby discouraging any attempt or effort to make it beautiful and divine.


Once as she sat in deep felicitous muse,
Still quivering from her lover’s strong embrace,
And made her joy a bridge twixt earth and heaven,
An abyss yawned suddenly beneath her heart.

A vast and nameless fear dragged at her nerves
As drags a wild beast its half-slaughtered prey;
It seemed to have no den from which it sprang:
It was not hers, but hid its unseen cause.

Then rushing came its vast and fearful Fount.
A formless Dread with shapeless endless wings
Filling the universe with its dangerous breath,
A denser darkness than the Night could bear,
Enveloped the heavens and possessed the earth.

A rolling surge of silent death, it came
Curving round the far edge of the quaking globe;
Effacing heaven with its enormous stride
It willed to expunge the choked and anguished air
And end the fable of the joy of life.

It seemed her very being to forbid,
Abolishing all by which her nature lived,
And laboured to blot out her body and soul,
A clutch of some half-seen Invisible,
An ocean of terror and of sovereign might,
A person and a black infinity.

It seemed to cry to her without thought or word
The message of its dark eternity
And the awful meaning of its silences:
Out of some sullen monstrous vast arisen,
Out of an abysmal deep of grief and fear
Imagined by some blind regardless self,
A consciousness of being without its joy,
Empty of thought, incapable of bliss,
That felt life blank and nowhere found a soul,
A voice to the dumb anguish of the heart
Conveyed a stark sense of unspoken words;
In her own depths she heard the unuttered thought
That made unreal the world and all life meant.

“Who art thou who claimst thy crown of separate birth,
The illusion of thy soul’s reality
And personal godhead on an ignorant globe
In the animal body of imperfect man?

Hope not to be happy in a world of pain
And dream not, listening to the unspoken Word
And dazzled by the inexpressible Ray,
Transcending the mute Superconscient’s realm,
To give a body to the Unknowable,
Or for a sanction to thy heart’s delight
To burden with bliss the silent still Supreme
Profaning its bare and formless sanctity,
Or call into thy chamber the Divine
And sit with God tasting a human joy.

I have created all, all I devour;
I am Death and the dark terrible Mother of life,
I am Kali black and naked in the world,
I am Maya and the universe is my cheat.

I lay waste human happiness with my breath
And slay the will to live, the joy to be
That all may pass back into nothingness
And only abide the eternal and absolute.
For only the blank Eternal can be true.

All else is shadow and flash in Mind’s bright glass,
Mind, hollow mirror in which Ignorance sees
A splendid figure of its own false self
And dreams it sees a glorious solid world.

O soul, inventor of man’s thoughts and hopes,
Thyself the invention of the moments’ stream,
Illusion’s centre or subtle apex point,
At last know thyself, from vain existence cease.”

A shadow of the negating Absolute,
The intolerant Darkness travelled surging past
And ebbed in her the formidable Voice.
It left behind her inner world laid waste:
A barren silence weighed upon her heart,
Her kingdom of delight was there no more;
Only her soul remained, its emptied stage,
Awaiting the unknown eternal Will.

[Savitri: 533 – 536]


(line breaks added to emphasize separate movements)

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There is no harm in the vital taking part in the joy of the rest of the being; it is the participation of the vital that makes it dynamic and communicates it to the external nature.